Clocks, clocks, what about clocks?
What about all those station clocks
Ticking away like tyranny prophesied
In waiting rooms whose stolid old benches
Spend forever trying not to fart
And the ghosts of governesses wait
To be apprised, abused, sent
Packing with never a penny? Tick.
Afternoons. Seasons. Epochs. Tick,
A railway age in Bradshaw's hell.
Cold spring sunshine. The random
Brambly lash of the March rain. Tick.
The immortal half-length clocks,
Complacent moustachioed minor gods
Of the up-line, the down-line,
The sinister spur to the quarry,
The girls' school, the old place
The army had out in the woods. Tick.
When you are dead the clocks will step out
On the platforms and wink at each other
Before you go by, with your throats cut,
One per compartment, blood smeared
On the strap of the window, the photo of Filey,
Your faces, your crusty good coats, the matching
Crimson carriage cloth. Stiletto heels of blood
Tick away down the corridors. These trains
Are special. Tick. Their schedule is secret,
Their platform remote from the roar
Of the great vaulted terminus. Tick. They are coming
To get you one dim afternoon
With a John Dickson Carr in your bag
And a packet of three, or a cake for your auntie.
Aunts sit and wait at the end of the phone,
Under instruction from God and his Will,
Darling old spinsters with eyes out on stalks -
Evil is evidence: sex = sin.
Now is the hour when crime is alone
And just before seven the clocks stand still.
Now the bells go bong and the prisoner walks
Down from the scaffold and in like Flynn
For a gallon of mild and a joke about sex.
Even his honour's compelled to admit
Not minding a corker with bishops and tarts.
The hangman will top it by mentioning shit.
O who could not love it, most English of arts -
Now they are in it right up to their necks.